CrimeFest 2017

This time last week I was on the train to Bristol and my second CrimeFest courtesy of my publishers Urbane Publications.

What a difference a year makes! Last year I was looking forward to the publication of Dancers in the Wind in October. This year I had just celebrated the launch of the second Hannah Weybridge thriller, Death’s Silent Judgement. And I was booked to take part in a panel!

There are often three panels taking place at the same time so it’s wise to study the programme beforehand and make decisions. Friday was a busy day for me as I went to four panels and then appeared on one of the last ones of the day “Journalists: Characters who tell stories for a living” moderated by Rod Reynolds. Once I’d got over my nerves, this was great fun and the other three panelists, Walter Lucius, Antti Tuomainen and Matt Wesolowski were a hoot.

On the Friday evening there were two drinks receptions – the first being the Crime Writers’ Association’s Dagger Announcement always fun with a thrill of expectation. Not mine I hasten to add, but one day…

One of the wonderful things about CrimeFest is meeting up with other writers, book bloggers and readers, publishers and agents. Some of whom I know well, others I’ve enjoyed getting to know better. There was a wonderful woman from Melbourne who had a great idea for circumventing having to take numerous signed copies back with her. She asked authors on the panels to sign her programme and then bought the books in her home city.

Last year I had to leave on the Saturday morning to attend a wedding, so this year I booked for the Gala Dinner which was great fun – especially sitting with and near other Urbane authors. The only disappointment was that Matthew Smith, CEO of Urbane Publications, was unable to join us.

Listening to other authors discussing their work is fascinating and instructive. My favourite panel was the last one I went to before leaving: Short Stories – Motives for Murder moderated by Martin Edwards  and joined by fellow CWA grandees Ann Cleeves, Janet Laurence, Peter Lovesy and LC Tayor. The rapport between these five was brilliant and as writers they are inspirational.

So dates in the diary for CrimeFest 2018!

Panel photo courtesy of Joy Kluver.

 

The Gift Maker by Mark Mayes

Where to begin to review a book that defies categories and genre classification? From the first line of The Gift Maker the reader is absorbed into a world that is both real and unreal, secular and magical. A fantasy and a morality tale. A world in which male students get drunk, spout philosophical polemics and lust after young women who seem to have a lot more self-discipline.

One such student, Thomas Ruder receives a strange package in the middle of the night at his lodgings but refuses to open it. The next day, the young woman he’d love to know better, Liselotte Hauptmann, confides that she too has received an unsolicited gift and she takes him back to her rooms to reveal its contents…

Dauman is the gift maker who has a special present for the third friend Johan called Jo. Each of them makes his or her way independent of each other to the border town of Grenze where a strange impresario, Reynard, pulls the theatrical strings and weaves a tantalising web of subterfuge.

Mark Mayes creates worlds within worlds using smoke and mirrors and provides a challenging and thought-provoking read. Some of the descriptions I found to be almost too detailed in their gruesomeness they and reminded me of Dickens with his visions of the debauchery, poverty and evil of Victorian London. And yet this is counterbalanced by poetic twists of fantasy which will have you enthralled.

References to fairy tales abound, plus nods to the book of Genesis and the Holy Trinity of the New Testament. The final chapters are far more lyrical in tone – and when you get to the metamorphosis/transfiguration you’ll see why.

Mark Mayes is a masterful and original storyteller. His unique narrative style is truly inspired and I found this book totally fascinating and recommend it to anyone who is looking for a book that is far from ordinary.

Published by Urbane Publications on 23 February 2017, The Gift Maker is available from Amazon.

Follow Mark on Twitter @Mark_J_Mayes

An Honest Man by Simon Michael

Being published by Urbane Publications has introduced me to many new authors. One such is Simon Michael, a former barrister, who uses his past experiences to bring a unique legal perspective to his crime thriller series set in London during the 60s which began with The Brief.

As much as I enjoyed the first in the Charles Holborne series, the second book, An Honest Man really hit all the high spots for me.

Following his escape from the hangman’s noose in The Brief – proving that hewas framed and did not murder his wife  – the criminal barrister is very much down on his luck. Bankruptcy threatens then an unexpected brief lands on his desk – the answer to all his prayers. Or is it?

As a Jewish man from the East End, Holborne has never really fitted in. He is an outsider whom very few in the legal profession trust. But can he have any confidence in the people around him especially when some of them have connections with the notorious Kray brothers?

This is a great legal thriller with lots of twists and turns that keep you guessing right up to the dramatic end but what makes it outstanding is its authenticity and excellent writing.

Follow Simon Michael on Twitter @SimonMichaelUK and check out his website.

Choosing Titles

pwtteensCreating a title for a non-fiction book seems comparatively easy. It needs to make a statement about the contents of the book and possibly the author’s stance. When I wrote my first two non-fiction books for Wayland Publishing they were part of a series so the title was agreed in advance. My university books: Applying to University and  Surviving University (Need to Know) were similarly constrained and the books I wrote linked to my family website, Parenting Without Tears (Endeavour) worked well as a series title.

ataleoftwosisters1My short story collections (Endeavour) took their titles from one of the stories: Cheque-Mate and Other Takes of the Unexpected and A Tale of Two Sisters. However the latter did begin life as A Proper Pride!

However there was a sense of freedom that came with selecting titles for my crime novels published by Urbane. I wanted the title to encapsulate the story in a creative and perhaps off-beat way.

Therefore titles of the first two books are linked to favourite poets. Dancers in the Wind is a reference to a verse in Dryden’s poem Fortune:

cropped-dancersinthewind.jpg“I can enjoy her while she’s kind;

But when she dances in the wind,

And shakes her wings, and will not stay,

I puff the prostitute away.”

One of the central characters is a prostitute and several are killed during the narrative, so that verse seemed pertinent to me.

For the sequel, which begins with the murder of Hannah Weybridge’s close friend, I worked on various connotations. I tried out various combinations of words from Death and Dispossession to Ambassadors for the Dead. Some 12 titles competed for the crown.

I was eventually inspired by Andrew Marvell’s poem, In Mourning – in particular the last verse:

“I yet my silent judgment keep,

Disputing not what they believe:

But sure as oft as Women Weep

It is to be suppos’d they grieve.”

So this led to title number 13 – Death’s Silent Judgement which will be published in May 2017.

Before deciding on these I made sure there were no other books with the same title by searching for books on Amazon and other websites. It’s amazing how often authors (or publishers) come up with the same title and confusion can arise sometimes with one author benefiting from the popularity of another.

Now I am writing the third book in the series and am considering titles. There are various facets of the narrative that I’d like to include but they won’t necessarily sit well together.

So again I am jotting down any ideas as they come to mind. Perhaps another poem will be the inspiration I need?