
This time last week I was on the train to Bristol and my second CrimeFest courtesy of my publishers Urbane Publications.
What a difference a year makes! Last year I was looking forward to the publication of Dancers in the Wind in October. This year I had just celebrated the launch of the second Hannah Weybridge thriller, Death’s Silent Judgement. And I was booked to take part in a panel!
There are often three panels taking place at the same time so it’s wise to study the programme beforehand and make decisions. Friday was a busy day for me as I went to four panels and then appeared on one of the last ones of the day “Journalists: Characters who tell stories for a living” moderated by Rod Reynolds. Once I’d got over my nerves, this was great fun and the other three panelists, Walter Lucius, Antti Tuomainen and Matt Wesolowski were a hoot.

On the Friday evening there were two drinks receptions – the first being the Crime Writers’ Association’s Dagger Announcement always fun with a thrill of expectation. Not mine I hasten to add, but one day…
One of the wonderful things about CrimeFest is meeting up with other writers, book bloggers and readers, publishers and agents. Some of whom I know well, others I’ve enjoyed getting to know better. There was a wonderful woman from Melbourne who had a great idea for circumventing having to take numerous signed copies back with her. She asked authors on the panels to sign her programme and then bought the books in her home city.
Last year I had to leave on the Saturday morning to attend a wedding, so this year I booked for the Gala Dinner which was great fun – especially sitting with and near other Urbane authors. The only disappointment was that Matthew Smith, CEO of Urbane Publications, was unable to join us.
Listening to other authors discussing their work is fascinating and instructive. My favourite panel was the last one I went to before leaving: Short Stories – Motives for Murder moderated by Martin Edwards and joined by fellow CWA grandees Ann Cleeves, Janet Laurence, Peter Lovesy and LC Tayor. The rapport between these five was brilliant and as writers they are inspirational.
So dates in the diary for CrimeFest 2018!
Panel photo courtesy of Joy Kluver.
What better place to launch a book than at the scene of the first murder? In Death’s Silent Judgement, the first body is discovered in the crypt at St John the Evangelist Church at Waterloo. So in November 2016, I tried to reserve the crypt, only to discover that publication day – 11 May, 2017 – was already taken! Only slightly disappointed, I booked Tuesday 16 May two days before CrimeFest in Bristol.
At occasions like these it’s important to thank all the people who helped bring a book to fruition. Ian Patrick who was in the Met during the 1990s when the book is set and checked some facts for me, now lives too far away for London parties but Dr Geoff Lockwood (pictured) arrived in time for the speech!


Having read Sealskin, I can only describe the experience as what I imagine it would be like to be a selkie slipping back into my seal skin – the feeling of coming home, warmth and unbounded joy in a narrative that is perfectly constructed and beautifully written.
In Sealskin relationships are explored with perceptiveness and the evocation of the small Scottish fishing community with its diverse characters from wise women to drunken men who treat their wives badly while others look on. The children’s personalities are equally well developed. By the end of the book each character is seen in a different light.
Where to begin to review a book that defies categories and genre classification? From the first line of The Gift Maker the reader is absorbed into a world that is both real and unreal, secular and magical. A fantasy and a morality tale. A world in which male students get drunk, spout philosophical polemics and lust after young women who seem to have a lot more self-discipline.
Mark Mayes creates worlds within worlds using smoke and mirrors and provides a challenging and thought-provoking read. Some of the descriptions I found to be almost too detailed in their gruesomeness they and reminded me of Dickens with his visions of the debauchery, poverty and evil of Victorian London. And yet this is counterbalanced by poetic twists of fantasy which will have you enthralled.
For most of my life I have led a blessed existence. I come from a loving, supportive family and have had the luxury of working in areas that I love. Just like anyone I’ve had my sad and lonely moments and times when I’ve earned no money and wondered if I’d ever clear my debts. But I have never experienced homelessness. I have never had to rely on sofa surfing or been reduced to sleeping rough.
I have been a fan of Sarah Hilary’s Marnie Rose crime series since the DI’s first outing in Someone Else’s Skin which won the Theakstons Crime Novel of the Year 2015. With each new book Ms Hilary’s writing has become more confident and assured. Quieter Than Killing continues this impressive trend.
A continuing thread throughout all the novels is the brutal murder of Rose’s parents by Stephen, the then fourteen-year-old boy they had been fostering for several years. The teenager is now a young man who has been moved to an adult prison. He is a tangle of thorns in her flesh which she must unravel.
The second in the social media murders series,
Journalist Freddie, back at home with her parents while she recovers from the effects of the attempt on her life by the Hashtag Murderer in